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GALLERY


GALLERY OF AWARD WINNING WORKS OF ART
BY HARC AWARD RECIPIENTS


FINE ARTS


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"Orion” John Sisko (Sculpture) - 3 Views

 

 

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"Untitled”
Sara Navarro-Valero (Painting)
- 3 views

 

 

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“Eggs Escape” Julia Arehart, aka Keziah (Painting)

 

 

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“Untitled” Carol Andrews (Painting)

 

 

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“Taken” Prentiss Cole (Sculpture) - 2 Views

 

 

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“Screen Grid” Gary Galligan (Painting)

 

 

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“Eccentrics” T Barney (Sculpture) - 3 Views

 

 

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“Do Not Pass Go” Jeremy Stout (Painting: Mixed-Media)

 

 

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“Benevolence” Sarah Kotzamani (Sculpture) - 3 Views

 

 

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"Poetics of Memory” Ahmed Abdullah (Painting)


 

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“Body Pool” Nancy Larson Richler (Sculpture)



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“Refugees” Judy Johnson-Williams (Painting: Mixed Media)

 


VISUAL ARTS



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“Crowd on Blue Floor” A.M. Rousseau (Photography)

 

 

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“Fumi Uniti, Ravenna, Italy” Domenico Foschi (Photography)

 


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“Untitled” Gary Miller (Photography)

 


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“Magician” Michele Dugan (Photography)



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“Untitled” Charles Klein (Photography)

 

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“Eden Estates” Desiree Arlette Holman (Multi-Media) - 3 Views + Video


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“In Deep” Emily C. Petit (Cinematography)



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“Deicing” Felipe Dulzaides (Cinematography)



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“Route 229, Ohio” Carol Lubin-Reiss (Photography)

 

 

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“To Paint a Mountain” Alan Bair (Photography)

 

 

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“Music Man” Fae J. Horowitz (Photography)

 

 


MUSIC


“Scenes From "Song of the Land”
Stefano Tomaselli (Composition, Instrumental/Orchestral)

Concert Video


“Snapshots 2005; 2003; 2000”
Peter Knell (Composition, Instrumental)

Selection 1

Selection 2
Selection 3
Selection 4
Selection 5
Selection 6
Selection 7
Selection 8
Selection 9
Selection 10
Selection 11
Selection 12


“That Mosquito Bit My ...”
Eric Samuelson (Composition, Instrumental/Orchestral)

“That Mosquito Bit My ...”

“Dandelion Smile”
Patti Rayne (Composition, Song & Words)

“Dandelion Smile”

“Starlight”
Loren Gold (Composition, Instrumental)

“Starlight”

 


LITERATURE


“Denouement”
Jack Raymond (Stage Play)

Synopsis:
1989: The end of an era. The year the wall came down. A year of celebration. Of change. Of New World Orders. An old Jewish Communist union organizer celebrates his last birthday with his estranged screenwriter son and his young Catholic Hispanic hospice nurse. This is probably the most depressing day of his life. Everything he's believed in all his life has turned into a lie. But before this day is over, everything changes. You'll laugh. You'll cry. You'll fall in love with life.

 

“Bringing Out the Beauty”
Robert Michael Morris (Stage Play)

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Nicole DuPort, Warren Berlinger, Patrick Kennelly and Mary Jo DuPrey

Synopsis:
A play about friendship, devotion and the creative power of beauty. It's based on the true story of Henri Matisse in his declining years and his relationship with two nuns while designing and constructing his last great masterpiece, The Chapelle du Rosaire in Vence, France. He is prompted to this grand undertaking by his devotion to one of his favorite models who became a Dominican nun. Their intense and platonic relationship causes friction with the Mother Superior who fought Matisse about his artistic choices out of suspicion, jealousy and ignorance. She eventually discovers that art and beauty cleanse the soul and elevate human emotion to an almost Divine level.

 


DANCE


“Sacrament”
Natalie Metzger (Contemporary Choreography)


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Photo by Robert Allaire

Synopsis:
Natalie Metzger's Dance Theater Work, "Sacrament", is a performance experience that examines cult mentality, the evolution of god and the human attraction to destruction. The abstract narrative occurs amidst a futuristic landscape of decay that centers around an enigmatic "deity" that hangs from the ceiling and fills the performance space. This immersive descent into a world of cult mentality, violence and destruction has been described as the "Rite of Spring" meets "Alien" in "Night of the Living Dead". Fusing together movement, sound, video, text and image, award-winning choreographer Metzger and composer Robert Allaire create a hybrid performance experience that takes you inside a sacred space where worshippers enter into a ritual whose vague boundary blurs the distinction between audience and participant.

 

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